{"title":"Pre-Orders","description":"","products":[{"product_id":"fritz-reiner-chicago-symphony-orchestra-bartok-music-for-strings-percussion-and-celesta-hungarian-sketches","title":"Pre-Order: Fritz Reiner, Chicago Symphony Orchestra - Bartok: Music For Strings, Percussion And Celesta \/ Hungarian Sketches","description":"\u003cp\u003e\u003cstrong\u003eRCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart of the Analogue Productions RCA Living Stereo 45 RPM Series!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered from the original master tape and cut at 45 RPM by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes 2-panel insert\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e180-gram vinyl 45 RPM double LP pressed at Quality Record Pressings!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFritz Reiner was unsurpassed at conducting Bartok. This Layton\/Mohr recording from 1958 supremely captures Bartok's melodic beauty, angular rhythms and sense of logic and balance. This gem from the golden age of RCA continues to inspire and amaze!\u003c\/p\u003e\n\u003cp\u003eMastered by Bernie Grundman from the original master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs. No other editions match these for the quietest 180-gram platters available. 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Both as a violinist and as a composer, Corelli brought the art of string-playing to heights never-before achieved, exploring new dimensions of dynamics and tonal richness. What makes the Societa Corelli virtually unique among interpreters of Corelli, Vaivaldi and other masters of that period is their style. Their tone production, use of vibrato and other subtleties evident in this performance are artistic, creative and vital music-making.\u003c\/p\u003e\n\u003cp\u003eMastered by Mathew Lutthans at The Mastering Lab from the original master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs. No other editions match these for the quietest 180-gram platters available. 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This album also has the benefit of being one of the best sounding LPs ever made. LP 1 Side B is a very fine Nights In The Gardens Of Spain.\u003c\/p\u003e\n\u003cp\u003eThis 2LP includes the following music:\u003c\/p\u003e\n\u003cp\u003eSergey Rachmaninoff:\u003cbr\u003eRhapsody On A Theme Of Paganini, Op. 43; conducted by Fritz Reiner and performed by the Chicago Symphony Orchestra.\u003c\/p\u003e\n\u003cp\u003eManuel de Falla:\u003cbr\u003eNights In The Garden of Spain; conducted by Enrique Jorda and performed by the San Francisco Symphony Orchestra.\u003c\/p\u003e","brand":"Living Stereo Series","offers":[{"title":"Default Title","offer_id":56251042038140,"sku":"AAPC 2430-45","price":74.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/8573\/8425\/files\/AAPC_2430-45__196117__09172025032717-6907.jpg?v=1768987672"},{"product_id":"gregor-piatigorsky-charles-munch-boston-symphony-orchestra-dvorak-cello-concerto","title":"Pre-Order: Gregor Piatigorsky, Charles Munch, Boston Symphony Orchestra - Dvorak: Cello Concerto","description":"\u003cp\u003e\u003cstrong\u003eRCA Living Stereo classical LPs — the gold standard for top quality orchestral performance and sound!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart of the Analogue Productions RCA Living Stereo 45 RPM Series!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered from the original master tape and cut at 45 RPM by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes 2-panel insert\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e180-gram vinyl 45 RPM double LP pressed at Quality Record Pressings!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFew recordings capture the electricity of great artistry meeting great music the way this one does. In this landmark RCA Living Stereo release, the legendary cellist Gregor Piatigorsky joins forces with Charles Munch and the Boston Symphony Orchestra for a performance of Dvorák's Cello Concerto in B minor, Op. 104 that has stood as a reference point for decades.\u003c\/p\u003e\n\u003cp\u003eWhy does it remain so revered? For one, Piatigorsky's playing strikes the perfect balance between nobility and fire. His tone is deep and commanding, yet his phrasing has a warmth and lyricism that makes the concerto's tender passages glow. Every note feels like it carries the weight of lived experience.\u003c\/p\u003e\n\u003cp\u003eThen there's Munch, whose famously spontaneous, almost volatile conducting style matches Piatigorsky's intensity measure for measure. Under his direction, the Boston Symphony surges with vitality-lush strings, blazing brass, and a rhythmic drive that gives the concerto its sweeping drama. 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Earl Wild, Arthur Fiedler, and the Boston Pops joined forces here in a match that could only be described as electric-and RCA's Living Stereo engineers captured it all with a warmth and immediacy that still feels astonishing today.\u003c\/p\u003e\n\u003cp\u003eThe performances are world-class. Earl Wild was the American virtuoso who understood Gershwin not just as a crowd-pleaser, but as a serious composer. His piano sparkles in the Concerto in F-by turns jazzy, sultry, and thunderously grand. Arthur Fiedler, at the height of his long reign with the Boston Pops, provides the perfect foil: a conductor who knew how to give Gershwin's music its swing and sparkle without ever losing its classical backbone. Together, they make Gershwin sound both sophisticated and wildly alive.\u003c\/p\u003e\n\u003cp\u003eThen there's the sound. This is RCA Living Stereo at its finest — lush but not bloated, with Wild's piano given a front-and-center clarity that makes you feel like you're seated at Symphony Hall. The rhythmic drive of \"I Got Rhythm\" Variations, the sultry sway of the Cuban Overture, and the grandeur of the Concerto all come across with jaw-dropping presence. It's no wonder collectors and casual fans alike have called this one of the most thrilling of the entire Living Stereo series.\u003c\/p\u003e\n\u003cp\u003eIf you want to hear Gershwin played with equal parts virtuosity, joy, and sonic splendor — this is the pressing you reach for.\u003c\/p\u003e\n\u003cp\u003eMastered by Bernie Grundman from the original master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs. No other editions match these for the quietest 180-gram platters available. 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Simply put, The Power Of The Orchestra will blow you away!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA recording this bold, this bombastic with totally jaw-dropping dynamics just begged to be cut at 45 RPM. Oh, it was awesome at 33 1\/3 — no question. But wait 'till you hear it now. 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This is really accessible, power classical music.\" — Jim Hannon, AVguide.com\u003c\/p\u003e\n\u003cp\u003eRecorded at Kingsway Hall and engineered by Kenneth Wilkinson, this record couples Moussorgsky's Pictures At An Exhibition with Night On Bare Mountain. It has long been considered among the greatest sounding records ever made. Perhaps most stunning about Power of the Orchestra are the effortless dynamics, which have been reviewed and raved about ever since the first RCA shaded dog. From the teeny, tiny, itsy, bitsy gentle plucks of strings to the WHAM!! CRASH!! SLAM!! of a full orchestra without a bit of notice. It's heart-stopping, jump-out-of-your-seat-type dynamics. The Power of the Orchestra — a more appropriate title there never was. But to hear it at 45 RPM...Oh! My! God! This thing's got all the weight of an anchor but at the same time the clarity and airiness and sparkle of a feather. Nuance, a holographic soundstage, emotion to spare — this one's got it all.\u003c\/p\u003e\n\u003cp\u003eA true reference. Power, indeed. Mastered by George Marino at Sterling Sound from the original master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs, — no other editions match these for the quietest 180-gram platters available. 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Throw in Hendl conducting the Dallas Symphony Orchestra on the Rozsa Violin Concerto and Izler conducting the RCAVVO on Benjamin's Romantic Fantasy and you've got a winner. The result? Not to be missed!\u003c\/p\u003e\n\u003cp\u003eFor classical enthusiasts and collectors alike, this album represents the essence of what made RCA's Living Stereo series legendary: great artists at their peak, captured in sound that has stood the test of time.\u003c\/p\u003e\n\u003cp\u003eMastered by Bernie Grundman from the original master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs. No other editions match these for the quietest 180-gram platters available. 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I haven't put it up against an original shaded dog with low stamper numbers, so you could argue that those original pressings still sound the best. But folks, you can buy this one on heavy, audiophile vinyl brand new at a cost considerably lower than a used and potentially compromised original press. To me, it is a no brainer. I heard things in this pressing that I didn't hear before.\" — Dr. Ryan Oldham, UMKC Conservatory of Music and Dance, and curator of classical music at Vinyl Renaissance in Kansas City. Read the full review.\u003c\/p\u003e\n\u003cp\u003eOne of the most sought-after Living Stereos and deservedly so, especially for the \"Song of the Nightingale\" which is one of Mohr and Layton's finest efforts. The sound is truly wonderful on the Stravinsky too. 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Rubinstein's trademark elegance and poetic touch meet the fire and precision of Reiner's baton, while the Chicago Symphony delivers a performance of monumental power and clarity.\u003c\/p\u003e\n\u003cp\u003eRubinstein, already a towering figure among pianists, was known for his natural lyricism and refusal to overdramatize — a quality that perfectly suited Brahms' First Concerto. Against Reiner's taut, disciplined conducting and the CSO's burnished sonority, the music unfolds with both storm and serenity, revealing new depths with every listen.\u003c\/p\u003e\n\u003cp\u003eWhat makes this recording a classic of RCA's Living Stereo catalog is not just its interpretive brilliance but its sound. Even in the dawn of stereo technology, RCA engineers created a spacious, lifelike sonic image that still astonishes today. 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